TFU 3.6 Lessons, News & Views
TFU 3.6 - CAGED Plus 2
The Sax to Guitar Connection
Get Carter Picking
Two Common Bending Problems by Jamie Andreas
Pick of the Month: Guts & Grace: Santana Lines by Andy Ellis
Tip Jar! Adrian Legg's New CD 'Inheritance'
New Video Courses! Rhythmology & Solology
The Studio Wall - Top 100 Guitar Albums of All Time
TrueFire's Hurricane Blues

We interrupt this column with the following hurricane report ... as we ship TFU 3.6 and mail this month's newsletter, we're tracking Wilma and her 175 mph winds as she makes her way to the southern coastline. Could be hairy here in the land of perpetual sunshine and blue hair, so we're battening down the hatches, filling our bathtubs with water, stocking up on canned food and ticking off all of the other requisites for hurricane preparedness.

Fear not though ...all orders will be shipped before we shut down for the weekend and, barring a catastrophic hit on our local region, we should up and running by Monday. In the meantime, as the storm approaches, internet connectivity and phones may be effected.

Practice smart, play hard ... stay dry.


TFU 3.6 - CAGED Plus 2

CAGED Plus 2 - TFU students will be receiving TFU CD 3.6 within the week. In the previous CAGED/EDCAG series we covered the fingerboard layout of the CAGED system for major chords and the EDCAG system for minor chords. We also examined the integration of a chord form, arpeggio and pentatonic scale and how to unify the strongest tones for an existing harmony. In this series of lessons, you'll learn how to develop licks, rhythm parts and solos using the material presented in the first series.

>> C Form
>> A Form
>> G Form
>> E Form
>> D Form
>> Em Form
>> Dm Form
>> Cm Form
>> Am and Gm Form
>> VI-IV-V Vamps

>> GPs November '05 Lessons

Vibrant Voicings: Ted Greene’s Tips and Examples
EZ Street: Over, Under, Sideways, Down 
Blues Guitar 101: Spicing Up the 12-Bar Form
Jam Guru - Jimmy Herring: Burnin’ on “Blackberry Blossom”
How to Play Like...Chuck Berry
Jazz Guru - Larry Carlton: Jazzin’ the Blues with an Altered V-I Ramp
Reader’s Challenge: 12-Tone Avalanche

>>Chop Suey

Since his 1987 first-place win at the National Flat-picking Championship in Winfield, Kansas (The Walnut Valley Festival), Stephen Bennett has become widely recognized as a virtuoso fingerstyle and flat-picking guitarist who consistently garners critical praise and audience enthusiasm for his recordings and live performances.

As a composer and arranger, he has created an enduring repertoire and a significant body of recorded work for this instrument. Slide work on his 1930 National resophonic steel guitar is also an important part of Stephen's instrumental diversity.

We caught Bennett at this year's CAAS show where he wowed the crowd with his six string, harp guitar and this month's Chop Suey performance on slide.

>> Not yet enrolled in TFU?!
Jump on the bus and have some fun in the woodshed!

>> learn more about TFU ...

The Sax to Guitar Connection

On many occasions I've referred to myself as a "saxophonist trapped in a guitar player's body." Some of my students think I am only speaking of the influence of some of my jazz mentors, including legends like Charlie "Bird" Parker, John Coltrane, and others.

However, I'm also a blues guy first and foremost, and for that reason some of my greatest influences have been rhythm & blues saxophonists like Isaac "King" Curtis, Junior Walker, and so many of their modern day disciples. Years of transcribing sax solos and translating the valuable language to guitar has resulted in a playing style decidedly different than what you hear from the majority of six-stringers.

There's no question in my mind that imitating sax on guitar opens doors that you would never know even existed by only listening to guitarists. In this month's edition of Jazzed Blues, I'll be sharing an excerpt from my R&B lesson course. It centers on great blues licks from sax legend Tom Scott, who has had a tremendous impact on my playing, arranging and teaching throughout my career.

Hopefully these ideas will begin to open some serious doors for you, too.

>> Download Safe Sax for Guitar...

Get Carter Picking

Carter Picking is a great pick and strum technique that works well for Country music, Bluegrass and many other guitar styles, including Rock, Folk, Celtic you name it. In this lesson we’ll be looking at and breaking down a piece called “Bluegrass Running” which calls for some very high speed picking.

It’s great fun to play when you get it nailed down. This is a superb work out for your picking thumb and will also seriously test the integrity of your hammer on technique at speed.

Carter Picking is basically where you pick the bass note (usually) of a chord on the beat and strum the higher part of the chord on the off beat. Sometimes a hybrid picking technique may be used. That is to say the player will use a plectrum between thumb and index finger, leaving their other fingers free for picking and strumming. But as you've probably guessed by now, we're into pure fingerstyle here at the Acoustic Guitar Workshop.

This lesson has been made completely without the aid of plastic! I don't use thumb or fingerpicks, plectrums. However, there are no real rules on this. If you like attaching things to your picking fingers, go for it and I hope you enjoy my little "Bluegrass Running" tune.

>> Download Bluegrass Running...

Two Common Bending Problems by Jamie Andreas


One of the things that seems to always need to be corrected in electric guitar students is the sound of their bends.

We will look at 2 common problems with bending, and how to fix them. They are the shape of the bend, and maintaining pitch on a 2 string unison bend.

>> Download a Quick Fix...

Pick of the Month: Guts & Grace: Santana Lines by Andy Ellis


Santana’s fiery fretwork on "Evil Ways", "Samba Pa Ti", "Black Magic Woman", "Oye Como Va", "Jingo", and "Everybody’s Everything" (all found on Santana — Greatest Hits), is full of inspiring ideas.

Distilled from these early classics, the lines in this two-part lesson are ready for you to honor and make your own.

>> Download the pick of the month...

Tip Jar! Adrian Legg's New CD 'Inheritance'


Adrian Legg's “technical brilliance paired with a troubadour’s tale-weaving skill” led him to be voted Best Fingerstyle Guitarist four years straight by the readers of Guitar Player magazine. On Inheritance, his second release for Favored Nations and ninth overall, Legg blends his extraordinary virtuosity on the acoustic with a lush sonic arena that harkens back to the musical textures of his childhood life before the guitar.

A colorful mix of gentle contemplative ballads, snappy and percussive jams, rock-edged electricity and hints of folk music, Irish jig and traditional church music influences, Inheritance marks a radical contrast from the unadorned, minimal production approach of the London born guitarist’s rootsy 2003 label debut Guitar Bones. more ...

>> Experience Adrian live ...
>> Buy Inheritance from Favored Nations ...
>> Visit AdrianLegg.com ...

New Video Courses! Rhythmology & Solology

TrueFire University's most popular video course series, Rhythmology and Solology, is now available individually or as a set. Presented by studio hot shot, Brad Carlton, Rhythmology demonstrates essential techniques for spicing up your rhythm parts with bubble parts, keyboard voicings, hybrid picking, chord extensions, triple stops, fills and a bagful of other skills that will quickly advance your rhythm playing.

Solology expands the knowledge base and palette of colors that you'll paint with when soloing over any changes. Carlton's quick-start, contextual approach gets you there fast. You'll play your way through the Rhythmology or Solology working with blues, rock, pop, jazz, funk, twang and fusion tracks structured around contemporary progressions and vamps.

>> Full descriptions & audio samples...

The Studio Wall - Top 100 Guitar Albums of All Time


We have a wall down in TrueFire's studios that's become a pet project of ours, which we'd now like to share with anyone who cares to partake. It started when a TrueFire wiseacre scribbled "Top 100 Guitar Albums of All Time", on a freshly painted studio wall, followed by a few of his nominations.

Naturally, the graffiti wars began as visiting artists, instructors, students and other passerby's followed suit with their own nominations. The "studio wall" is now a pretty amazing and diverse source of album recommendations for guitar players, from guitar players. But we've only scratched the surface.

Send us your nominations for the Top Guitar Albums of All Time wall. We'll publish an online version of "the wall" listing every album that gets at least ten nominations. Cool? Scribble away ...

>> Send in your "studio wall" nominations now ...

Blues Acoustic Rock Country Jazz Beginner Bass Gear